Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

The last decade of music saw major artists break many of the rules about how to release an album. Beyoncé and Drake popularized the "surprise release" — putting out albums with little to no roll-out at all. So in the era of surprise digital drops, and at the beginning of a new year of music, how do you make predictions about what's coming?

The Grammy Awards' category for new artists has always been the Hufflepuff house of the event, a mishmash of eccentrics, high achievers and hard-working young music industry favorites. (Notorious category winners Milli Vanilli did work hard, just not at singing.) Rarely has the field clearly pointed toward an exciting new musical era. But this year, that's exactly what it suggests.

Songs Against The Suits

Nov 15, 2019

On Thursday night, Taylor Swift threw another volley in her ongoing battle with the two men she considers the captors of her legacy.

When Brandi Carlile decided to perform Joni Mitchell's 1971 album Blue in its entirety at Disney Hall – the primary home of the Los Angeles Philharmonic and the site of many classical music premieres — one reason was to remind the audience of the 75-year-old's near-singular status among popular musicians of the past half-century. "We didn't live in the time of Shakespeare, Rembrandt or Beethoven," she said before she began her October 14 performance. "But we live in the time of Joni Mitchell."

DAVID GREENE, HOST:

And I'm David Greene. When music historians talk about the pillars of American popular music, they sometimes neglect half the population. Women are too often excluded from this conversation. NPR Music has been trying to offer some balance through an ongoing series called Turning the Tables, and Season 3 begins today.

Here's a thing you should know before watching Rolling Thunder Revue: A Bob Dylan Story, Martin Scorsese's new Netflix documentary about one of the most notorious rock tours in the genre's history: Bob Dylan is messing with you. Dylan has been messing with people since his first braggadocio days in Greenwich Village, when his made-up tales of wandering the Southwest with a circus helped convince his friends in the folk scene that he was the real proletarian deal.

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In the early 1970s, the singer-songwriter Danny O'Keefe had a "very mellow, beautiful friend," as he told Rolling Stone magazine, who'd lived too hard and was paying the conse

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The first single from Madonna's upcoming Madame X suggests that the doyenne of dance pop is making canny decisions in her 60th year.

Last night in Nashville's CMA Theater, Miranda Lambert described Pistol Annies' work dynamic as a rolling slumber party. But — to turn a phrase that is, as Lambert herself might say, corny as hell — these women are wide awake.

The Detroit Free Press issued a stern directive to fans and would-be Instagram influencers gathering this week to commemorate Aretha Franklin in her hometown. "Remember," admonished staffer (and occasional NPR contributor) Rochelle Riley in her Tuesday column, "We will treat this like church." No selfies are allowed with Franklin's gold-plated coffin, as she lay in repose at the Charles H.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

NOEL KING, HOST:

We are heartbroken to report this morning that the Queen of Soul Aretha Franklin has died at the age of 76 years old. Ann Powers is with me now. She's NPR's music critic and correspondent. Good morning, Ann.

ANN POWERS, BYLINE: Good morning.

The results are in for the first-ever NPR Turning the Tables readers' poll, and they send a strong message to anyone fancying themselves a cultural justice warrior in 2018. It is this: check your intervention.

Sometimes, it can be difficult to notice a cultural sea change. At first, there's just a little, unexpected turn in the tide. But then, whoosh! The new current takes over, and old preconceptions are swept away. Country music seems to be in the middle of this process now.

I fell in love with Bruce Springsteen for his swagger. It was ridiculous and offered so much hope. Here was a bony dude with the worst haircut ever, who wore T-shirts covered in holes — seriously, he looked like the fry cook at the amusement park where I worked as a counter girl in the summer — making music as big as the known universe.

Pop singer Donna Summer, whose long career began in the 1960s and reached its apex in the disco era of the '70s, died of cancer on Thursday at her home in Naples, Florida. Summer was 63 years old. According to Billboard magazine, the singer born LaDonna Gaines had 32 singles that charted in the Hot 100. Fourteen of them made it into the top 10. To hear Sami Yenigun's appreciation of Donna Summer's life and career, as heard on All Things Considered, click the audio link.

This Sunday the annual Grammy Award winners will be announced. One of the biggest categories is Song of the Year, which goes to a songwriter. Every day this week, we'll give you a little intel on one of the nominees. Today, Mumford and Sons' "The Cave."

This Sunday the annual Grammy Award winners will be announced. One of the biggest categories is Song of the Year, which goes to a songwriter. Every day this week, we'll give you a little intel on one of the nominees. Today, Bon Iver's "Holocene."

This Sunday the annual Grammy Award winners will be announced. One of the biggest categories is Song of the Year, which goes to a songwriter. Every day this week, we'll give you a little intel on one of the nominees. Today, Bruno Mars' "Grenade."